Friedrich Wilhelm Murnau
Everything starts in a loving triangle. The corrompimento of the moral, through a Machiavellian order of the loving one, makes the main personage (Anses) to enter in a deep internal conflict. It will be that its personal values will say high more of what its pecaminoso desire? It is important to stand out the magnificent performance of the personages central offices. In the truth not only they, but of all the cast that it knew to locate itself, obeying feeling of each moment of the film, without the traditional exageros caricatos of the dumb films. The density of impressed me very to the interpretations, the point of, for times, I to enter of head in the scenes and to feel what the personage felt, or thought. Dawn, of Friedrich Wilhelm Murnau is one of those films that they mark. That it is difficult to forget after having seen it. I do not mention only the wonderful photograph, with minutely well imagined plans, but yes to all the present emotion of the beginning to the end. When I speak in emotion, I say in amplest sensible of the word. Exactly at the moments of great irreverncia and the slightness, passing for the dense psychological conflicts of Anses and culminating in wonderful sequncias of great tension and expectation. Although the film to have exceeded my expectations, in if treating to Murnau we cannot wait any film, after all it is not to toa that this director was considered with Fritz Lang and Ernst Lubitsch one of the ccomplishing greaters German of all the times.
